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- Acoustical Operating Principle: Pressure gradient transducer
- Directional Pattern: Cardioid/cardioid/supercardioid
- Frequency Range: 20 Hz … 20 kHz
- Sensitivity at 1 kHz into 1 kohm: 4.5 mV/Pa
- Rated Impedance: 50 ohms
- Rated Load Impedance: 1 kohms
- Equivalent Noise Level, CCIR1: 28 dB
- Equivalent Noise Level, A-Weighted1) 18 dB-A
- Signal-to-Noise Ratio, CCIR1 (rel. 94 dB SPL): 66 dB
- Signal-to-Noise Ratio, A-Weighted1 (rel. 94 dB SPL): 76 dB
- Maximum SPL for THD 0.5%2): 150 dB
- Maximum Output Voltage: 12 dBu
- Supply Voltage (P48, IEC 1938): 48 V ± 4 V
- Current Consumption (P48, IEC 1938): 3.5 mA
- Matching Connector: XLR3F
- Weight: Approx. 300 g
- Diameter: 48 mm
- Length: 180 mm
Manufacturer’s Description
While live microphones usually operate with dynamic capsules, we designed the KMS series as “studio sound for the stage”. That’s why we chose condenser capsules. Due to their construction they capture the voice more vividly, with greater detail and a wider frequency response. This uncolored high definition sound doesn’t only convince on stage, it also delivers reference class sound in the home studio for vocals, acoustic guitars, and brass instruments with superior elegance and transparency.
The KMS 104 plus are coming with a cardioid pattern which perfectly attenuates sound from the rear; the KMS 104 plus has a more prominent bass range and is especially optimised for female Rock and Pop voices. All versions share a remarkably uncolored off-axis response – a great advantage, especially for in-ear monitoring on stage.
FEATURES
- Neumann sound with full stage capability
- Precise reproduction of speech and vocals with excellent intelligibility.
- Cardioid/supercardioid directionality with high feedback resistance
- Uncolored off-axis response
APPLICATIONS
- Vocals and voice on stage and in the home studio
- Voice recording for broadcast/film dubbing
- Applications with a high risk of feedback
| Condition | New |
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